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Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable.

Dueña y Señora is a Puerto Rican telenovela based on La Dueña. It is produced by Telemundo Puerto Rico and Puerto Rico Vibra Inc., which intends to market it to the United States' Spanish-speaking residents as well.

Eugenia Montiel is a marginal young. Although she committed a crime being minor, she sits five years in the prison waiting her judgment. She knows that the responsible for her long imprisonment, was the lawyer Diego Mendoza. Eugenia hates him for this injustice and swears to take revenge on him. Silvana, a violent prey, hits Eugenia in the head with a fire extinguisher. She becomes blind temporarily. A strange woman called Endrina visits Diego and asks him to repair his injustice. Taking advantage of her blindness, Diego pretends to be a nurse and makes friendship with her. He falls in love with Eugenia although he doesn`t know that her face is covered with bandage. But Diego is married to Pilar Luján with whom he has a daughter, María de los Ángeles. Before knowing the face of Eugenia, he marches leaving her the truth in a letter. Eugenia gets free and goes to live with Endrina and her sister Cándida who adopt her. Cándida knows the secret about Eugenia`s origin, but she dies without...

Josef, Sunder, Ramu and Aziz are imprisoned on false charges. Filled with rage, they escape from prison, vowing to seek revenge.

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The play wants to explore afterlife, death re-emerging into life even just for an hour in a whirlwind of powerful emotions ranging from disbelief to joy and anger, until total despair and the last goodbye.

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In the 1920s Victoria and Ángel fall in love in a small town, northern Spain. They are two people both from a different social class, she is the daughter of a wealthy businessman and he comes from a poor family. They are so in love but social norms and circumstances of the era force them to break up. Several years later, they meet again, Victoria as a powerful businesswoman and Ángel as a priest.

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